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An Act of Ugliness at AWP

2/7/2011

 
My silence around these parts these last few days owes to my presence at AWP.  I drove up Friday morning and had a wonderful time, catching up with many old pals and meeting a ton of new folks while attending umpteen panels and readings.  And through it all, I observed only one act of ugliness.  Maybe more acts of ugliness were occurring in front of my eyes every moment, but this was the one that sunk in.

Waiting for the big Jennifer Egan/Joshua Ferris/Rick Moody/Benjamin Percy reading to begin in the cavernous Marriott Ballroom, I found myself sitting next to a couple of poets currently doing their MFAs at a really awesome school.  The girl poet was blonde and thin and wearing a black leather jacket, her nose and ears de rigueur-ly studded.  The boy poet’s hair was variegated—patches were brown and patches were purple, with no telling what its natural color once was.  Thinking about it now, it strikes me that maybe patches were bright orange.  But that can’t be true—can it?—orange hair having gone out of style maybe decades ago?

I asked if they knew a fiction writer who had graduated from their program within the past couple of years and is now achieving some success.

“Yeah,” the girl poet said.  “We know him.”

The boy poet snorted.  “He writes every day.”

I started to say that it didn’t surprise me: a good work ethic probably being a pre-req for the kind of success that the fiction writer was enjoying, but the boy poet corrected me—he didn’t mean it as a compliment.

“Writing every day means thin writing,” he said.  “If writing is to be true and deep, meaningful or good, you need to let things percolate in your head longer.  He just dashes off and writes and writes and…”

The boy poet rattled off disparagements, the girl poet nodding along.  I couldn’t believe it.  What he was saying ran against the advice most people give about constructing a daily writing regimen.  Yet the more he talked, the more I sensed jealousy creeping into his reasoning.  The two poets had yet to achieve the recognition that their fiction alum is starting to get.  Rather than be generous, they chose to denigrate his writing practices.  Which is pretty ugly, if you ask me.

I’ll write more about AWP over the next few days, but I do want to say that this isolated example was an anomaly—I had a great time, and the people I met were otherwise uniformly generous and friendly.

John link
2/7/2011 01:57:53 am

The green-eyed monster is something I suspect we all battle--I know I do--and it's indeed ugly when it manifests publically like this. The sad thing is that this poet's revealed, in a most unflattering way, his greatest weakness: he doesn't yet know how to get his work done.

Nick link
2/7/2011 02:49:10 am

John, you're so right. What they were saying was wrong in so many ways. A few years ago, I sat in on a bunch of sessions at Hollins's Playwriting MFA program. "Look around you," Todd Ristau, the program's director, said to his students. "The people you see sitting next to you are going to be your colleagues for the rest of your life. Theatre is a collaborative art form. Your success, in part, is dependent on maintaining strong professional ties. So don't go bad-mouthing the people you work with." Fiction and poetry, of course, are not quite the collaborative enterprises that theatre is. Yet it doesn't behoove anyone to bad-mouth the person who potentially could be the most influential contact these poets might have.

Dana King link
2/7/2011 04:39:44 am

I get the impression the two poets aren't much into editing. Sounds they like to let things percolate until the poem springs forth fully formed and perfect, like Athena from the head of Zeus. Good luck with that.

Nick Kocz link
2/7/2011 05:57:33 am

Yep, I guess we should all be so lucky to be deities. Talking to them, I wasn't sure that they even believed what they were saying. It was probably just something that came to mind to diminish his accomplishments. Writing-every-day bit was probably shorthand for saying they didn't think the fiction writer adequately anguished over his art. Dana, I ran into Elizabeth at AWP and caught up with a lot of news about our old writing group!


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